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In honor of it being spooky season, I decided to choose to critique a scene from a horror movie, and what better horror movie to rewatch than The Shining, especially because it contains what is arguably the most iconic scene in cinematic history:

There are a lot of things that make this scene remarkable. At first glance, the suspense is palpable, as the camera cuts from the antagonist (Jack) creeping up the stairs with an axe, to the antagonist’s wife and child trying to squeeze their way out of a window to escape their impending doom. The child makes it out, but as the wife struggles to make it out herself, it becomes more and more clear, as Jack gets closer and closer, that she will not be able to get out of the room. Finally, Jack is right outside the room she is still stuck in, and begins breaking down the door with his axe. This is where the scene reaches its climax, alternating camera angles between outside the door, allowing us to watch Jack swinging the axe, to inside the room, where we can watch the wife’s horrible reaction to each and every swing.

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Beyond first glance is where we can see everything come together to make the scene what it is. The look of pure helplessness is perfect on the wife’s face through the entire scene, and only gets more exaggerated as the scene and desperation progresses. The look and dialogue of pure insanity from Jack adds to the craziness.

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The way the camera follows the axe’s strokes adds something special to it, making it more real. The blood curdling screams of his wife as he gets closer and closer to breaking thru are some of the heaviest parts of the movie, as they are very difficult to listen to. The rest of the audio is just typical horror movie screeches.

movie critique

FILM

This was the funnest thing I have done thus far during this semester. I was extremely pressed for time because I was taken out of class multiple times for college interviews, which inhibited me from doing anything during those two classes, but I still made something work. Jarret, Dan, and I went to the pond and I was responsible for any footage that Jarret didnt film of Dan and me. We went out with a 7d and a 50 mm lens, which allowed me to do all the cinematic stuff I like doing. Dan’s head is a very good subject to film with a 1.4 aperture, and the song was a natural choice because I listened to it 4 times yesterday.

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